Project 01


The AI Tarot Oracle Archive:
AI-generated imagery · 3D forms · video installation



This is a story about a digital oracle. No revelation. No certainty. Only repetition. AI-generated images return as fragments: failures, glitches, recurring signs. I keep them, archive them, and reassemble them with 3D forms and video. The system appears convincing, then slips. Belief forms in that slip, inside the loop of asking and answering.







AI Hallucination images-Recomposing Errors into Narrative:



This is an experiment in moving between digital and physical. I take details from failed AI outputs, make them into 3D models, 3D-print them, then scan them back into the project.






AI-generated film practice:



《 INPUT》2025

The film visualized this dependency through a chaotic montage of glitch cards, frenzied typing, and symbolic error. When the Death card appears, the user’s panic drives a compulsive attempt to redraw and deny the outcome, pushing the system until the interface collapses. The narrative concludes with the user transforming and donning the mask of Death to restart the ritual, symbolising an endless cycle. Through this participatory intervention, I examine how belief in the digital age is not simply observed at a distance, but actively produced within the machine’s feedback loops.


Tech, Tea and Exchange Programme :


30/05/2025

Documentation of Exhibition:









07/2025


A wall-based installation that assembles printed “wrong” images, repeated motifs and screenshots from AI tarot readings, alongside symbolic references to the Death card. These fragments are carefully sequenced to read like a chain of cries, echoes and transformations, turning discarded outputs into a visual record of doubt, desire and imagined prophecy.


The project focuses on what is usually thrown away. Failed images, repeated symbols, glitches, and recurring motifs are kept as an oracle archive. I pull fragments from these errors, turn them into 3D models, 3D-print them as physical objects, and scan them back into the digital workflow. This creates a feedback loop between image, object, and belief. By reordering the material through editing and filmmaking, the work shows how viewers keep stitching meaning together, and how repetition can pull interpretation into a loop that keeps returning.

I treat generative tools as readymade machines that can be taken apart and used differently. The project offers another way to document how people place trust in AI images today. It tests how an AI oracle can sound convincing, slip, repeat itself, and still persist. 















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